For the past nine months, a squad of Uber drivers has made more than 200 trips and racked up more than 30,000 miles taking conservators to hundreds of museums and offsite storage locations throughout Ukraine. Included in the more than 3,000 albums are the recordings of Woody Guthrie, Lead Belly, Pete Seeger, Bill Monroe, Doc Watson, Ella Jenkins, Bernice Johnson Reagon and thousands of others; civil rights movement songs and speeches; the poetry of Langston Hughes; historical Native American traditions; varied regional and immigrant songs; and music and spoken word traditions from across the globe. It is open to guest researchers and other visitors by appointment. The images in the exhibition spotlight noteworthy individuals and uplift objects from the museums collection, many on display for the first time. Ukrainians are fighting for their freedom, and in particular their freedom to be who they culturally are. Ralph Carter Rinzler, 59, was former Assistant Secretary for Public Service and founding Director of the Festival of American Folklife. The Washington Monument is visible in the background. Research specialties: Asian American history and culture, Los Angeles history and culture, urban history, public history, vernacular landscape. (2004 and 2012) University of Maryland. Since 2003, he has helped plan and develop public programs on California, China, Hungary, Peace Corps, Apollo Theater, Circus Arts, National Aeronautics and Space Administration, Mekong River, U.S. Forest Service, World War II . An aerial shot of the 1999 Smithsonian Folklife Festival, showing the site of the South Africa program. While providing immediate protection, this presented another major problem. Street and Delivery Address: Center for Folklife and Cultural Heritage Capital Gallery Building 600 Maryland Avenue SW Suite 2001 MRC 520 Washington, D.C. 20024. (1976) University of Minnesota; M.Ln. Then, theyve carefully re-packed them with an eye toward their long-term sustainability. Ihor Poshyvailo, director of the Maidan Museum in Kyiv and co-founder of Ukraines Heritage Emergency Response Initiative, along with his crew, salvages the remains of the Church of the Nativity of the Blessed Virgin Mary built in 1862 and shelled by the Russians in March 2022. B.A. In 1998, the Festival was renamed the Smithsonian Folklife Festival to reflect its international interests, and in 1999 the office was renamed the Center for Folklife & Cultural Heritage to reflect its research and public program functions. Explore full information about cafes in General Alvear, Buenos Aires Province and nearby. As part of SCRIs expanding research and training activities, Poshyvailo became first a trainee and then an instructor for the program and stayed in close contact with Wegener. In the practical implementation of cultural sustainability, CFCH also manages three different projects where the theoretical finding of this research can be put to test in the field. The Smithsonian Folkways Record label comprises a second team working at the center; they produce this non-profit music label with the goal of promoting and supporting the cultural diversity of sound. Ralph Rinzler Performs at Festival of American Folklife, 1988. Many Ukrainian museums hastily evacuated their collections to other locations, sometimes to basements, underground storage facilities or safe sites removed from major Russian attack zones. The Center conducts ethnographic and cultural heritage policy oriented research, maintains the Ralph Rinzler Folklife Archives and Collections, and provides educational and research opportunities through fellowships, internships, and training programs. (2012) Leiden. Dr. Richard Kurin In addition to those named above, the author wishes to thank Hayden Bassett, Katharyn Hanson, Brian Daniels and members of the SCRI, CHML, HERI and NRRC teams who have engaged in this cultural heritage work. What unique knowledge is lost when a language has lost its last native speaker? [note 1] Its budget comes primarily from grants, trust monies, federal government appropriations, and gifts, with a small percentage coming from the main Smithsonian budget.[2]. As in other regions of Europe, the population of the geographic region of modern Ukraine reflects a diversity of ethnic migrations and cultural influences, as well as a succession of political rulers and changing boundaries over millennia. Research specialties: Cultural heritage studies, ethnomusicology, Asian studies, cultural policy, Indonesian performing arts, education, development studies, international relations. This project responds to that urgency by developing robust comparative research on revitalization eorts in six minority language communities. This identity is indeed an explicit target of Putins war, she said. The Center hosts the annual Folklife Festival on the National Mall and is home to Smithsonian Folkways Recordings. B.A. Turning attention to Ukraine, a lab analyst noted an increase in the building of public monuments in Crimea and the Donbas91 of them. The Smithsonian Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center . (2004) Barnard College, Columbia University; M.A. Eliot Elisofon Photographic Archives, African Art, Center for Folklife and Cultural Heritage. One of the early cultural casualties of the Russian invasion was the Ivankiv Historical and Local History Museum. [5] Morris had no professional museum experience. (2007), Ph.D. (2015) New York University. Alberta at the Smithsonian Carriers of Culture: Living Native Basket Traditions Nuestra Msica: Latino Chicago Special Events (2006) 2005 Food Culture USA Forest Service, Culture, and Community Nuestra Msica: Music in Latino Culture (2005) Oman: Desert, Oasis, and Sea Special Events (2005) (1972) State University of New York, Buffalo; M.A. (1988) Brown University; M.A. Hawaii was the featured state in the 1989 Folklife Festival from June 23 - July 4. (1996) Pontificia Universidad Catlica de Chile; M.A. Research Associate. [note 2] As such, Smithsonian Folkways has become an important collection to the musical community to access and research these recordings from all over the world. They have tackled challenges and found solutions to questions like: Whats the best way to pack hundreds of paintings quickly? View ratings, addresses and opening hours of best restaurants. Given satellite coverage, they can reference images over a period of time to pinpoint when the damage occurred and how extensive it is. (1988) Brown University; M.A. The minister asked the Smithsonian if we could determine its status from satellite imagery. B.A. (1973) Scripps College, M.A. B.A. 2023 Smithsonian Magazine Contact:YoungerE@si.edu, Office of Academic Appointments and Internships, Smithsonian Opportunities for Research and Study (SORS) Intro. Currently there are three main research areas actively sponsored by CFCH. Their goal is to explore means and indicators for assessing the impacts of culture on sustainable development, to develop best practices for bringing culture into political and social policy, and to share their findings with individuals, communities and policymakers around the world. What precautions should be considered to avoid fire damage from shelling and water damage from extinguishing those fires? [6] This was non-standard for the Smithsonian, and guaranteed to provoke curators accustomed to operating in orderly museum buildings.[7]. To facilitate this, Ripley appointed James R. Morris as the Smithsonian's first Director of Museum Services. B.A. Since 1967, the Smithsonian Folklife Festival has collaborated with cultural practitioners, communities, heritage professionals and scholars to spark curiosity, catalyze intercultural exchange, and create participatory experiences that nurture creative human connections. National Museum of African American History and Culture Support the Center for Folklife and Cultural Heritage Thanks to the generosity of people like you, the Center is helping to sustain the world's cultural diversity by building understanding, strengthening communities, and reinforcing our shared humanity. Research specialties: Native American and Pacific Rim material culture, contemporary Native American art, museum practice. Support the Folklife Festival, Smithsonian Folkways Recordings, sustainability projects, educational outreach, and more. Theyve conducted inventories and composed condition reports. | READ MORE. Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. How much of the culture of a region is embodied in the actual vocabulary of its language? Contact:ClarkLE@si.edu, Crdova, Amalia,Latino Digital Curator of New and Emerging Media. The National Park Service has as one of its objectives the preservation of historic sites, partnering with CFCH in their concerns for the cultural sustainability of both tangible and natural cultural resources. Curator. B.A. The impact of the Center is felt far beyond the National Mall. The Ralph Rinzler Folklife Archives and Collections contains an extensive collection that documents American and world traditions in research notes, videos, CDs, audio tapes, and still images. (1972) State University of New York, Buffalo; M.A. Texas: A Celebration of Music, Food, and Wine, Roots of Virginia Culture: The Past is Present, Carriers of Culture: Living Native Basket Traditions, Nuestra Msica: Music in Latino Culture (2005), Haiti: Freedom and Creativity from the Mountains to the Sea, Nuestra Msica: Music in Latino Culture (2004), South Africa: Crafting the Economic Renaissance of the Rainbow Nation, The Baltic Nations: Estonia, Latvia, and Lithuania, Heartbeat: The Voices of First Nations Women, Russian Roots, American Branches: Music in Two Worlds, The Czech Republic: Tradition and Transformation, Culture and Development in Latin America and the Caribbean, Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows, Creativity and Resistance: Maroon Culture in the Americas, The Changing Soundscape in Indian Country, Forest, Field and Sea: Folklife in Indonesia, Roots of Rhythm and Blues: The Robert Johnson Era, Les Ftes Chez Nous: France and North America, The Caribbean: Cultural Encounters in the New World, Ingenuity and Tradition: The Common Wealth of Massachusetts, Migration to Metropolitan Washington: Making a New Place Home, Music from the Peoples of the Soviet Union, Cultural Conservation and Languages: America's Many Voices, Cultural Conservation: Traditional Crafts in a Post-Industrial Age, Black Urban Expressive Culture from Philadelphia, National Heritage Fellowships Program (1983), National Heritage Fellowships Program (1982), Music and Crafts of the Southeastern United States, Community Activities and Food Preservation, Folklife in the Museum: A Nation of Nations (1978), Folklife in the Museum: Renwick Gallery (1978), Folklife in the Museum: A Nation of Nations (1977), Folklife in the Museum: Hall of Musical Instruments, Folklife in the Museum: Renwick Gallery (1977). Spirit in the Dark: Religion in Black Music, Activism and Popular Culture In 2010, the Initiative for Global Citizen Diplomacy honored the Festival with a Best Practice Award for International Cultural Engagement, and, in 2017, the American Alliance of Museums recognized the Festival with a Sustainability Excellence Award. Warfare introduces a whole slew of challenges beyond the ken of typical museum workbut the Ukrainian conservators, collection managers, museum directors and others have been vigilant in their defense of those items documenting their nations history, art, culture and identity. (1979) State University of New York at Binghamton; M.A. [12] By acknowledging culture to be independent and separate from the social development of individuals, it recognizes the power and role of cultural structures and forms to give shape and meaning to a social group. It now includes an extensive collection of traditional American music, children's music, and international music. A relatively small but interesting and well-documented material culture collection includes iconic and other items from the Festival and the Centers projects. These . Junior volunteer John McCauley demonstrates marblemaking to onlookers at the 20th Festival of American Folklife, in the Summer of 1986. Dr. Richard Kurin, the Smithsonians Distinguished Scholar and Ambassador at Large, has served as the institution's Under Secretary and as director of the Center for Folklife and Cultural Heritage, among other leadership roles over his four decade-long Smithsonian career. Research specialties: Caribbean/Latin American studies, Latino music, cultural representation. (1980), Ph.D. (1990) Indiana University. Over decades of research and production, we have created educational materials for cultural professionals, educators, and casual learners, including lessons plans, documentation handbooks, learning guides, and online exhibitions. (1974), Ph.D. (1981) University of Chicago. To support Putins wrongful argument that Ukraine doesnt have a culture and history independent of Russia, his forces figure they can simply bomb away the countrys cultural heritage. Research specialties: Ethnomusicology, audiovisual archives, music industry, social organization, cosmology, ritual, oral narrative, South American Indians, Brazil. Taquile musicians from Peru perform in the "Land in Native American Cultures" program at the 1991 Festival of American Folklife held on the National Mall, Washington, D.C. Exhibits Staff at Festival of American Folklife, 1993. An image dated two weeks later, on February 27, depicts the museum roofless with major damage, while other nearby buildings remained undamagedan indication that the museum was specifically targeted. This intangible cultural heritage, transmitted from generation to generation, is constantly recreated by communities and groups in response to their environment, their interaction with nature and their history, and provides them with a sense of identity and continuity, thus promoting respect for cultural diversity and human creativity. It has become a national and international model of a research-based presentation of intangible cultural heritage. (1989), M.A. Director, Smithsonian Folklife Festival. In 2020, at a Washington, D.C. symposium organized by the Smithsonian Cultural Rescue Initiative (SCRI), Ihor Poshyvailo, the director of the Maidan Museum in Kyiv, warned American and international colleagues that culture was becoming an object of war, as Russification policies in the regions captured in 2014 were aimed at diminishing a Ukrainian presence. (1964), Ph.D. (1973) University of Pennsylvania. Rinzler had previously worked at the Newport Folk Festival, and brought with him both the know-how and connections needed to pull together a new DC folk festival. Your Privacy Rights Box 37012, MRC 520 Washington, D.C. 20013-7012. Major projects have included the Anthology of American Folk Music, the Smithsonian Anthology of Hip-Hop and Rap, and numerous series on the music of Central Asia, the Andes, and other regions. (1979) State University of New York, Stony Brook; Ph.D. (1997) Union Institute. Following World War II, the nations of the world contemplated the armed conquest of neighbors, the Holocaust, genocide and mass execution, the restrictions of thought, movement, belief and association inflicted by the Nazi regime. When the clouds cleared, satellite imagery confirmed what local residents had photographed with their cell phones: the tiny, isolated museum had been destroyed. In 2015, UNESCO inscribed the Moses and Frances Asch Collection into its Memory of the World International Register. (1973) Scripps College, M.A. There are restrictions for re-using this image. Crucial investigations are underway that will one day provide an accounting of Russias devastating war crimes. Research specialties: American folklife, material culture, building arts, occupational folklife, Italian-American folklore, culture and aging, oral history, cultural and linguistic sustainability, public programming. Research specialties: cultural presentation and representation,cultural heritage policy, cultural disaster and response, material culture studies, museum controversies, indigenous knowledge systems, cultures of south Asia and the United States. (2011) New York University. As with all archives, the Folklife Archives is currently working to move its entire collection into digital format, thus enabling global access to the artifacts. Since 1967, the Smithsonian Folklife Festival has collaborated with cultural practitioners, communities, heritage professionals and scholars to spark curiosity, catalyze intercultural exchange, and create participatory experiences that nurture creative human connections. Generous contributions from Edward and Helen Hintz and Brad Freeman have helped support the effort, as have family and friends of Jamie Seltzer and Logan Cohen who, in lieu of gifts to the newlyweds, and at their direction, donated to the Smithsonian Cultural Rescue Initiative. B.A. With nearly 60,000 tracks of digitized music and sound, Folkways is a cultural treasure with unique holdings in American folk, world music and childrens music, including special series dedicated to African American and Latino music. The task at first was overwhelming. The Festival is an annual exposition of living culture held on the National Mall in Washington, D.C. for two weeks around the Independence Day holiday for audiences sometimes exceeding one million visitors. Svitlana Stryelnikova, director general of the National Research Restoration Center of Ukraine, and her staff of expert conservators at the headquarters in Kyiv and branch facilities in Kharkiv, Odesa and Lviv were charged with caring for Ukrainian national collections. The archive continues to grow in tandem with both the annual Folklife Festival, and the Folkways record label; it serves as the documentation and research foundation for the activities of these other two units of the CFCH. The festival was started by folklorist Ralph C. Rinzler (1934-1994). When a language has lost its last Native speaker Rinzler, 59, was former Assistant for! Challenges and found solutions to questions like: Whats the best way to pack hundreds of paintings?. 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